 BLUE and WHITE |
 POLYCHROME |
 MONOCHROME |
 EARLY CHINESE |
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 SOUTH EAST ASIAN |
 SHIPWRECK |
 EUROPEAN |
 MISCELLANEOUS |
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 Espir Collection |
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B.B.C. 2 : THE CULTURE SHOW "CASH IN CHINA'S ATTIC"
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KANGXI 1662 - 1722 Kangxi Mark and of the PeriodA Large Rare Kangxi Blue and White Porcelain Dish, None-Imperial Kangxi Six-Character Mark and of the Period, 1662-1722, c.1690-1710. Painted in a Bright Violet-blue with Two Ladies in a Garden Standing at Either Side of a Jardiniere of Plants on a Rockwork Table, Their are two Attendants Holding a Large Fan and a Canopy Over their Heads, The Lower Part of the Scene Shows Goldfish Swimming in a Bowl. The Wide Rim is Painted with Lappet-Shaped Panels of Ladies at Leisure Alternating with Flower Sprays, the Lowermost Panel Depicting an Elephant. The `Cash` Emblem is Used as a Pattern Between the Panels. Elephants are an extremely rare subject to find of a Kangxi blue and white dish of this type. R and G McPherson dealers in antique Chinese porcelain |
KANGXI 1662 - 1722 Blue and White PorcelainA Fine Large Kangxi Blue and White Porcelain Rouleau Vase c.1680-1700, Depicting the `West Lake`. Decorated with a Very Extensive Scene Covering the Surface of this Large Porcelain Vase. The Central Scene is of Two Scholars on Horseback, with Their Servants Carrying the Luggage, Arriving at a Large Building with People Awaiting their Arrival. This View is Part of a Wide Panorama of People Traveling by Horseback, Boat or Walking. There are Large Pavilions, Bridges, Jetties, Temples and Pagodas, all of Which are Surrounded by Water with Lotus Flowering. There is a Mountainous Backdrop to this Busy Scene. R and G McPherson dealers in antique Chinese porcelain |
YONGZHENG 1723 - 1735 Yongzheng Mark and of the PeriodA Small Yongzheng Mark and Period Porcelain Dish. Decorated in Blue and White with the Image Created by the White of the Porcelain. The Design is of a Flowering Prunus Tree at Nigh with Bamboo in the Foreground. The Base Painted with a Six Character Yongzheng Mark and of the Period (1723-1735). Although the present example bares the Mark of Yongzheng and is of the period, it is clear not an Imperial piece. It is nicely painted but certainly not drawn with the care and attention needed for an Imperial piece of porcelain. This type of crudely drawn, rather spidery mark is quite often found on none-Imperial pieces of Yongzheng porcelain. R and G McPherson dealers in antique Chinese porcelain |
KANGXI 1662 -1722. Chinese Export PorcelainA Kangxi European Subject Blue and White Porcelain Saucer c.1690-1700. The Central Roundel Depicts a King and Queen in Full Royal Regalia on a Throne, Traditionally Said to be Queen Blanche of Castile and Louis IX of France. The Ten Panels that Radiate from the Roundel are Painted in a Loser Style with a Kneeling Chinese Man, Apparently Giving Homage. These Panels Alternate with Panels of a Shrub or Tree. R and G McPherson dealers in antique Chinese porcelain |
KANGXI 1662 - 1722 Chinese Export PorcelainAn Early 18th Century Chinese Export Porcelain Famille Verte `Pie-Crust` Rimmed Plate, Kangxi Period c.1700-1720. Decorated with an Aquatic Scene of a Pool with an Egret (?) Stalking a Shrimp, with a Fish Near by, There are Lotus in Flower Behind. The River Bank on the Right have Tree Peony Flowering. The Moulded `Pie-Crust` Edge is Based on European Metalwork. R and G McPherson dealers in antique Chinese porcelain |
YONGZHENG 1723 - 1735. Chinese Export Porcelain.An Unusual 18th Century Chinese Export Porcelain Blue and White Plate Copying a Dutch Delft Original, Yongzheng 1723-1735. Painted with a Central Urn of Flowers Surrounded by other Urns Within Panels. Both the Design and the Painting Style are very Close to the Dutch Delft Pottery Original. R and G McPherson dealers in antique Chinese porcelain |
KANGXI 1662 - 1722 Chinese Export PorcelainA Chinese Islamic Market Blue and White Porcelain Dish, Kangxi Period c.1685-1700. This Thickly Potted Dish is Painted with a Cone Design and was Made for the Ottoman and Persian Markets. The Decoration Consists of Six Cones Arranged Around a Central Design. The Double Foot Ring, Unglazed in the Middle, is Typical of the Period. R and G McPherson dealers in antique Chinese porcelain |
TIANQI or CHONGZHEN c.1620 - 1640 Transitional PorcelainAn Unusual Late Ming Blue and White Porcelain Dish, Transitional Period, Tianqi or Chongzhen c.1620-1640. Made for the Japanese Market, Decorated with Three Boys. One Boy Holds a Fire-Cracker on a Stand While Another Covers his Ears and a Third Looks the Other Way with His hands in the Air. R and G McPherson dealers in antique Chinese porcelain |
KANGXI 1662 - 1722 Transitional PorcelainA Transitional Blue and White Porcelain Stemcup, Early Kangxi c.1670. Decorated with Flowers. R and G McPherson dealers in antique Chinese porcelain |
MEISSEN c.1730 German Hard-Paste PorcelainAn 18th Century Meissen Porcelain Saucer in the Style of Chinese Batavia Ground Blue and White Porcelain c.1730. The Base with an Underglaze Blue Crossed Swords Mark for Meissen and an Impressed 12. Meissen Blue and White Porcelain : Armin Allen (see References) States "Underglaze blue decoration was an early priority for the Meissen factory as Augustus the Strong (1670-1733) was anxious to produce there wares comparable to the Chinese blue and white porcelain he found irresistible. This Challenge was met by the arcanist, David Kohler (d.1723) around 1720, and the finest Meissen blue and white porcelain was made in the few years surrounding his death". The designs of the second quarter of the 18th century are in imitation of Chinese blue and white porcelain. The during the 18th century the Meissen porcelain factory struggled with producing blue and white porcelain of an even blue tone and so a relatively small amount was produced. R and G McPherson dealers in antique Chinese porcelain |
YUAN 1279 - 1368 Early Blue and White PorcelainA Yuan Blue and White Porcelain Jarlet, Jingdezhen Kilns c.1320 - 1368. This Early Chinese Blue and White Porcelain Jarlet has Two Loop Handles, the Sides are Painted with Flowers Chinese Blue and White Porcelain : The origins of Chinese blue and white porcelain start, not in China, but in the Middle East, it was originally developed in Mesopotamia. The source of the first cobalt blue pigment used in China was also not Chinese and the dynastic power in charge of China at the time, the Mongol`s of the Yuan dynasty, was a foreign power. Yet blue and white porcelain will for ever be linked to China because of the ceramics produced at Jingdezhen. Blue cobalt pigment was sometime used in China during the Tang dynasty (618-906) nearly always as an additional colour in Sancai pottery but the first use on porcelain was at the start of the 14th century. It was used in a very different way, unlike the Tang use where splashes of cobalt were used to add colour, the Yuan potters used it to carefully painted designs. This would have been very difficult to achieve using the the high flux lead glazes of Tang pottery. The body developed for blue and white porcelain at Jingdezhen was almost from the very beginning of exceptionally high quality as was the glaze, which was midway between a Qingbai and Shufu glaze. This true lime-alkaline glaze was less fluid than Qingbai glazes so the blue was less likely to run and less opaque than Shufu glaze so the painting appeared more brilliant. The most of the imported cobalt blue pigment used for Chinese blue and white porcelain of the 14th and 15th centuries came from Kashan in Persia. For further reading about early Chinese blue and white porcelain see : Chinese Glazes, Their Origins, Chemistry and Recreation (Nigel Wood, A & C Black, London, 1999). R and G McPherson dealers in antique Chinese porcelain |
CHONGZHEN 1628 - 1644 Transitional PorcelainA Transitional Blue and White Porcelain Bowl, Late Ming Dynasty, Chongzhen Period 1628-1644. Decorated with a Dragon and a Phoenix, the Well with a Leaping Carp. The design of this Transitional porcelain bowl conveys wishes for success in examinations and a happy marriage. A carp leaping out of the water by the dragon gate is well know symbol of perseverance and success in exams. The phoenix Fenghuang is a symbol of high virtue and grace. The Fenghuang also symbolizes the union of yin and yang. In ancient China, they can often be found in the decorations for weddings or royalty, along with dragons. This is because the Chinese considered the dragon and phoenix symbolic of blissful relations between husband and wife, another common yin and yang metaphor. R and G McPherson dealers in antique Chinese porcelain |
CHONGZHEN 1628 - 1644 Transitional PorcelainA Late Ming Porcelain Quatrefoil Mukozuke Serving Dish for the Japanese Market, Transitional, Chongzhen Period 1628-1644. Decorated in Polychrome Enamel with a Boating Scene Depicting the Story of the Hermit Lin Wasai. The Base with a Large Underglaze Blue Two Character Seal-Mark Tain guang (heavenly brilliance). R and G McPherson dealers in antique Chinese porcelain |
CHONGZHEN 1628-1644. Transitional Porcelain.A Transitional Porcelain Blue and White Jar, Late Ming, Chongzhen Period 1628-1644. Decorated with Flowers in a Landscape with a Bird. The present Transitional Blue and White Porcelain jar is from a well known group which share many Kraak Ware characteristics. The shoulder decoration, quality of porcelain as well as the finish relate closely to kraak ware of the period, however this does not necessarily mean they were made at the same Jingdezhen kilns as Kraak Ware. References : For two similar Transitional Porcelain jars recovered from the Hatcher Cargo see : Catalogue of Late Yuan and Ming Ceramics in the British Museum.(Jessica Harrison-Hall.The British Museum Press, 2001. ISBN 0-7141-1488-X.) page 377. For another Transitional blue and white porcelain jar of this type see : Azul E Branco Da China, Porcelana Ao Tempo Dos Descobrimentos (Coleccao Amaral Cabral, Portugal, 1997. ISBN 972-8137-66-4) page 134, plate 49. R and G McPherson dealers in antique Chinese porcelain |
WANLI to CHONGZHEN c.1600 - 1645 Transitional PorcelainA Late Ming Blue and White Kraak Porcelain `Betel` Box and Cover, Wanli, Tianqi or Chongzhen Period c.1620-1645. The Rounded Oval Form has a Divided Central Compartment. The Decoration is in the Kraak Style and Shows Flowering Prunus and Pine Leaves within Kraak Borders. The Base is, as with all of these Late Ming Porcelain Boxes, Painted with a Different Design, in this Case Composed of Leaves. Ming Porcelain `Betel` Boxes : Oval and rectangular late Ming boxes with a divided central compartment have traditionally been referred to as betel or betel nut boxes. In fact it should be called the Areca nut, but this has often mistakenly translated in the English language as betel nut. The nuts are widely chewed in South East Asia for there mild stimulating properties. These Ming boxes might have been used in some countries for areca nuts, however it is clear they were used for different purposes in different country`s. For example, they occur in Japan where they were used as incense containers for the tea ceremony and examples are known in Holland where they would probably have been used, well for what ever the owner wanted. Most, but not all, can be considered as Kraak ware, they share a common trait, that is the tops are quite different in design to the bases. The tops are often decorated in the same way as plates or dishes might be, where the bases might be seen as similar to the decoration on the reverse of dishes or plates. R and G McPherson dealers in antique Chinese porcelain |
WANLI or TIANQI c.1600 - 1630 Kraak WareA Small Blue and White Porcelain Kraakware Dish, Wanli or Tianqi c.1600-1630. Decorated with a Bird in a Landscape. R and G McPherson dealers in antique Chinese porcelain |
QIANLONG MARK AND OF THE PERIOD 1736 - 1795 Imperial Qianlong PorcelainA Rare Imperial Qianlong Blue and White Stem Bowl, Qianlong Mark and of the Period 1736-1795. Finely Painted with Eight Lanca (Tibetan) Characters Between Stylised Lotus Scrolls. The Inside of the Foot with Nianhao Imperial Mark in a Line. R and G McPherson dealers in antique Chinese porcelain |
MENNECY c.1750 - 1755 French Soft Paste PorcelainA Pair of 18th Century Mennecy Soft-Paste Porcelain Jardinières of Medici Form with Pedestal Stand with Painted Metal Plants and Painted Porcelain Flowers. The Metal Later. These miniature vase is based on the well known Medici vase and appears unique to the Mennecy factory. pedestal stands were made by many porcelain factories in continental Europe during the 18th century. It is rare to find metal plants with porcelain flowers in situ. R and G McPherson dealers in antique Chinese porcelain |
WANLI to CHONGZHEN 1573 - 1644 Swatow WareA Large Blue and White Ming Porcelain `Swatow` Ware Dish. Late Ming Dynasty, Wanli to Chongzhen Period, From the Kilns in Pinghe or Hua`an Kilns in Heping County, Zhangzhou Prefecture, Fujian Province. Decorated with a Pheasant on a Branch to the Center, the Border of Four Panels of Flowers. R and G McPherson dealers in antique Chinese porcelain |
YUAN 1279 - 1368 Early Blue and White PorcelainA Yuan Blue and White Porcelain Waterpot, Jingdezhen Kilns c.1320 - 1368. This Early Chinese Blue and White Porcelain Waterpot is of Square Form with a Square Aperture to the Top with Two Qilong Dragons Hand-Modelled in Relief. The Side Painted with Flowers within Square Panels. R and G McPherson dealers in antique Chinese porcelain |
CHONGZHEN 1628 - 1644 Transitional PorcelainA Late Ming Porcelain Quatrefoil Mukozuke Serving Dish for the Japanese Market, Transitional, Chongzhen Period 1628-1644. Decorated in Polychrome Enamel with a Boating Scene Depicting the Story of the Hermit Lin Wasai. The Base with a Large Underglaze Blue Two Character Seal-Mark Tian Guang (heavenly brilliance). R and G McPherson dealers in antique Chinese porcelain |
QIANLONG 1736 - 1795 Soft-Paste PorcelainAn Unusual Blue and White Chinese Export Soft-Paste Porcelain Teabowl and Saucer c.1760-1770. Decorated with a European Subject Referred to as `The Shipwreck`. R and G McPherson dealers in antique Chinese porcelain |
QIANLONG 1736 - 1795 Chinese Export PorcelainA Pair of Large Chinese Export Porcelain Dishes Qianlong Period c.1760-1775. These Large Blue and White Leaf Form Dishes are Based on a Meissen Porcelain in the Japanese Kakiemon Style. The Design is of Two Quail with Millet and Prunus a Well Dressed Couple are in the Middle. the colour is much better than in these photographs. R and G McPherson dealers in antique Chinese porcelain |
CHONGZHEN or SHUNZHI c.1630 - 1660 Blanc de Chine PorcelainA Transitional Blanc de Chine Porcelain Figure of Guanyin. Made at the Dehua Kilns, Fujian Province, Ming Dynasty, Chongzhen Period, 1627-1644 or Early Qing Dynasty, Shunzhi Period 1644-1661. Seated on a Rockwork Base. In the Pose of `Royal Ease` With One Arm Resting on the Knee and the Other Hidden By Her Robe. R and G McPherson dealers in antique Chinese porcelain |
QIANLONG 1736 - 1795 Chinese Porcelain Decorated in HollandA Plain White Chinese Export Porcelain Teabowl and Saucer, Qianlong Period c.1760-1780. Entirely Decorated in Holland in the Style of Watteau with a Man Sitting Between Two Ladies in a Garden. R and G McPherson dealers in antique Chinese porcelain |
VUNG TAU CARGO c.1690 - 1700 Kangxi PorcelainA Rare Vung Tau Blue and White Porcelain Garniture, Kangxi Porcelain c.1690-1700. This Five Piece Kangxi Porcelain Garniture Consists of Three Baluster Vases and Covers with Two `Gu` Shaped Vases. Painted in Strong Tones of Cobalt Blue with Scrolling Flowering Plants in the `Pencilled` Technique. R and G McPherson dealers in antique Chinese porcelain |
QIANLONG 1736 - 1795 Chinese Export PorcelainA Rare Blue and White Porcelain Rhinoceros Horn `Libation Cup`, Qianlong Period c.1750-1770. Finely Painted with Peony and Insects. The Wood Stand Carved with Flowering Plum is Later, Probably 19th Century. R and G McPherson dealers in antique Chinese porcelain |
HATCHER CARGO c.1643 Transitional PorcelainA Transitional Porcelain Stem Cup From the Hatcher Cargo, Late Chongzhen or Early Shunzhi c.1643. Decorated in Blue and White with a Dragon. The Hatcher Cargo : The Hatcher Cargo was the first porcelain cargo from a shipwreck to come on to the market. It was sold in several auctions in Christie`s Amsterdam in 1984 and 1985. It remains one of the most important cargoes of shipwreck ceramics ever recovered, despite the lack of historical evidence recorded by the salvage team. Two porcelain covers dated 1643 helped date the wreck but this needed corroborating to give a firm date of the wreck and it`s cargo. The dating of the porcelain from the Hatcher Cargo is based on several elements. Firstly, the ceramics recovered form a coherent group, in other words they appear to all have been made at the same time. Secondly comparative dating was used to corroborate the date of the porcelain. For example, blue and white porcelain dishes decorated with a coiled serpent recovered from the Hatcher Cargo match an important dish from the fall of the Ming dynasty, formerly in the Percival David Foundation, now at the British Museum London, this dish can be dated to 1644 - 1645. Other comparative dating is also consistent with the presumed date of the porcelain. However, the most important dating reference remains the two covers recovered from the wreck datable by inscription to the spring of 1643. Although the the Ming dynasty officially ended in 1644 the transition from the Ming to the beginning of the Qing was messy and protracted. The porcelain made during this period of civil war and chaos is referred to as `Transitional Porcelain`. It covers the period from the last Ming Emperors until the early years of the Kangxi period, which is normally given a date of about 1620 to 1670 . The Hatcher Cargo is a vital dating tool for this previously poorly understood period of Chinese porcelain production. R and G McPherson dealers in antique Chinese porcelain |
TIANQI or CHONGZHEN c.1620 - 1640 Transitional PorcelainA Rare Late Ming Porcelain Ko-Sometsuke Dish Made for the Japanese Market. Tianqi (1621-1627) or Chongzhen (1628-1644) Period. Decorated with Shells, the Back with an Apocryphal Ming Mark, a Six Character Chenghua Mark (1465-1487). Apocryphal Marks : Apocryphal marks are frequently encountered on Chinese porcelain particularly on Kangxi Blue and White Porcelain, the mark of the Ming Emperor Chenghua who reigned from 1465 to 1487 being by far the most common, other Ming marks include Jiajing (1522-1566) and less frequently Wanli (1573-1620). These marks were not added to the piece to deceive, but more as a sign of reverence to earlier potters of the Ming dynasty (1368-1644). Occasionally they are used on pieces copying Ming Porcelain, these objects were probably made for collectors who could not afford the Ming original. Tianqi is an early period for such an apocryphal mark. R and G McPherson dealers in antique Chinese porcelain |
TIANQI or CHONGZHEN c.1620 - 1640 Transitional PorcelainA Small Late Ming Blue and White Porcelain Dish for the Japanese Market, Tianqi (1621-1627) or Chongzhen (1627-1644). Decorated with Tortoise Among Waves. Ming porcelain made for export to Japan could not be too perfect, asymmetry and even faults were desired. The faults were sometimes, I think far more often than people realise, added by the Chinese potters to suit Japanese ideas of aesthetics. The present example is an obvious case in point, the reverse of the rim has finger-nail marks clearly embedded in the clay prior to glazing and firing. This adds to the desired roughness and irregular character desired by the Japanese. R and G McPherson dealers in antique Chinese porcelain |
WANLI or TIANQI c.1600 - 1627 Ming PorcelainA Small Late Ming Porcelain Blue and White Ewer, Late Wanli or Tianqi Period c.1600-1627. Decorated with Flowering Plants. The Cobalt Blue is Rather dark and Inky in Appearance, References : For a Ming porcelain ewer of this form from a shipwreck of 1613 see : The Ceramic Load of the Witte Leeuw 1613 (Edited by C.L van der Pijl-Ketel, Rijksmuseum, Amsterdam, 1982, ISBN 90-9309-6) page 178. For another late Ming blue and white porcelain ewer of similar form see our `Sold Items` number 22216. R and G McPherson dealers in antique Chinese porcelain |
HONGZHI or ZHENGDE 1488 - 1521 Ming PorcelainA Blue and White Ming Porcelain Kendi, Hongzhi 1488 - 1505 or Zhengde 1506 - 1521. Painted with Scrolling Lotus. Painted in a Cobalt Blue of a Greyish Tone. This Ming Porcelain Kendi Shows Distinct Sign that it Came from a Shipwreck. Pieces like the present Blue and White Ming Porcelain example have traditionally been referred to as `Provincial Blue and White Porcelain` because the potting and painted appear as being some what rustic. Sometimes `provincial` pieces have a great strength and freedom that can be lacking in more refined objects. Recent research in China has shown that there was little Blue and White Porcelain produced outside the main kiln complex of Jingdezhen in Jiangxi Province. The exception might be Dehua in Fujian province but the Blue and White Porcelain production from those kilns is distinct from the kilns at Jingdezhen. R and G McPherson dealers in antique Chinese porcelain |
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